This is
one of those “filler” titles that seem to fill the MIFF calendar during its
daytime hours. Small films that you
rarely hear about before or after the film festival is over, and they are often
competent pieces but limited in scope.
“The Rest Of The World” is typically French and was actually made as a
television movie. The film is about
three sisters, Eve, Judith and Aurelie, and the problems they all have. Eve is the main character of the film and
after her partner commits suicide she finds out that she is pregnant with his
baby. Judith on the other hand finds out
that she may have a different father than her sisters when her father’s current
girlfriend, Katia, deliberately spills the news of her mother’s infidelity
during her drunken rage. Stunned by this
revelation Judith sets out to find this man and to see whether or not he is her
real dad. Aurelie on the other hand
seems to have problems with aggression and growing up and being more
mature. She never takes anything
seriously particularly her relationships with men. Throughout the film topics of parenting,
family, depression and identity are all explored as Eve tries to work out what
is the best thing for her and her baby, whether it is right to bring a baby
into this world knowing it is not going to ever have a father.
Due to
its origins being in television, “The Rest Of The World” is a little film, full
of nice performances, while tackling interesting themes. Visually, it does have that flat television
look, so there is nothing to get excited about in that regard. The biggest asset going for the film is
Marie-Eve Nadeau’s performance as Eve.
She is great and does an amazing job at showing a girl with so much going
on in her head while keeping silent to everyone around her about her
problems. You can see the tension and
pain in her eyes as she struggles to work out what to do. She is also stunningly gorgeous and I really
loved the scenes of her with her deaf students, including one special scene
when one of the students goes to find her in the ladies toilet to see if she is
ok. While her character is very
unlikable, Emmanuelle Beart does an amazing job at representing someone in so
much pain and constantly depressed that her only way of escaping it is to hit
the bottle. Although we never know the
reason behind her pain we can tell it is deep rooted in her soul. It also appears that Beart does not age
because she looks the same as she did twenty years ago.
My main
problem with “The Rest Of The World” in my eyes is the character of Aurelie who
serves no narrative purpose at all. She
does little in the film and her problems are rarely explored. I also wasn’t a fan of Aurelie Mestres’s
performance in the role either.
Overall,
for what it is “The Rest Of The World” is a good little film. It has been well directed and its look at a
dysfunctional family and the skeletons hidden within has been dealt with
truthfully and emotionally, while never overly sentimental. While I am sure I will forget ever seeing
this film, in the moment it was an enjoyable watch, but nothing more.
3 Stars.
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