10. THE MONSTER
Similar to what happened with Richard Bates Jr., I fell
madly in love with director Bryan Bertino's directorial debut “The
Strangers”. It was a perfectly paced, suspense filled, gory home
invasion thriller. However, his second film, “Mockingbird”, I
absolutely loathed. I hated it with an absolute passion and could
not believe that the same director made both films. This October saw
Bertino's third film, “The Monster” released and once again I
loved it. This was the kind of talent I saw in the guy who made “The
Strangers”. The story in “The Monster” is a very simple one as
it is about a mother and daughter who are driving to the girl's
father's place but along the way in an area surrounded by forest,
they are involved in an accident that renders their car useless and
the mother's wrist broken. Whilst waiting for an ambulance to attend
to them, they soon realise that they are not alone and that a vicious
monster is hunting them down. While this is the crux of the story,
there is so much more going on in this film. Firstly, the mother /
daughter relationship is not a good one and the reason for them to be
out on this trip is because the young girl wants to now live with her
father. While there is a “real” monster in this film, the main
“monster” is the mother's addiction to drugs and alcohol that she
just cant break. Her addictions make her a horrible mother, with her
daughter looking more after her than the way it should be. The
journey they make on this rainy night ends up being a night of
redemption for the mother as she realises just what is most important
in her life and to fight for it. The whole thing is quite an
emotional story but “The Monster” also works equally well as a
straight horror film. It starts off slowly and builds its
atmosphere, but when the monster finally does attack, it is
incredibly brutal and vicious and Bertino is not afraid to not hold
back on these scenes. You feel the ferocity in the attacks and the
whole thing becomes very bloody. Zoe Kazan plays the mother, and she
is an actress I normally do not like at all, but she is magnificent
here and does an excellent job of portraying a woman with a lot of
faults but one who is also worthy of redemption. Ella Ballentine
plays her young daughter and it is a performance full of strength;
she doesn't come across as a little girl, as you get the feeling that
she has had to fend for herself most of her life, but you can also
tell that this is a girl that just wants to be loved by her mum. In
regards to the monster, I really loved his design and the fact that
he was all black. I also appreciated that he was done via practical
effects but I rolled my eyes a little when the monster turned out to
be afraid of the light which is something of a cliché these days. I
loved this film; its dark, vicious, and gory but it also has the
biggest heart too. It is also beautifully shot by cinematographer
Julie Kirkwood.
9. PETE'S DRAGON
I have already mentioned, in my “most underrated”
section of this list, my enormous love for this film and I am going
to reiterate it again here. This is the best children's/family film
that I have seen since “Tangled” came out in 2010. This is
another emotional journey about family and love and it has been very
sensitively made by everyone involved. All of the performances are
beautiful and subtle, without any grandstanding and I was
particularly impressed by the father/daughter relationship between
Bryce Dallas Howard and Robert Redford's character, and the
relationship they both had had with Elliot the dragon in the past
(with Redford's character having seen the dragon when he was younger,
and then later in life telling the story of it as a bedtime story to
his daughter when she was little). Behind the scenes, director David
Lowery shows that he can paint a story with a gentle hand, and I
loved the look of the film with it being bathed in different colours
of green, the colour of Elliot. Elliot himself, whilst CGI, its
beautifully designed with his soft green fur giving him a cuddly look
so you can see why Pete would trust and fall in love with a dragon so
easily. I should briefly mention that I have never seen the original
film that this version is based on, but from all reports this is a
much greater film, even if it does stray a bit from the original
storyline. I recommend this film wholeheartedly whether you have
kids or not, it really is that good and deserves to be seen by as
large an audience as possible.
8. LOVING
Jeff Nichols had a busy 2016 with two of his films being
released. Earlier in the year his sci-fi film “Midnight Special”
was released to limited fanfare, whilst in November his true tale of
love between an interracial couple living in Virginia during the
1950's entitled “Loving” also came out. If you had asked me at
the start of the year which of these two would be on my end of year
list I definitely would've chosen “Midnight Special” before
“Loving” but the opposite deemed to be true. I was particularly
impressed by the low key nature of the film. Even though this was a
film about a court case that ended up changing the constitution of
the United States of America, the story was told through the eyes of
Richard and Mildred Loving, the couple at the centre of the court
case who had no intention of trying to change history nor the world,
all they wanted was to be able to live with the person that they
loved. Staying true to this spirit, Nichols does not
over-sensationalise the “big” dramatic moments. In fact at the
end when the big ruling of the courts is given, we are not even
witness to it, instead all we see is Richard and Mildred working on
their farm, acknowledging that its finally over. It is a quiet film
and that is also a good way to describe the performances. Joel
Edgerton in particular gives quite an internal performance, keeping
everything inside him, which is much different than in anything else
I have ever seen from him. Ruth Negga, as Mildred, is a revelation.
I do not believe I have seen her in anything before this, but she is
amazing and incredibly beautiful too. It is a quiet performance, but
it is also weighty and has a strength behind it. This was a woman
that was going to fight to the end to be with the man she loved. It
was also good that Nicols was able to find a small role for Michael
Shannon to keep their working streak alive. Once again, Jeff Nicols
proves just how great a director he is with this beautiful film about
true love. I must say that I also love the simple title; originally
I thought it was very awkward sounding but then finding out that the
subjects of the film had the surname of Loving, well it is just
perfect.
7. DARLING
The darling of the indie horror scene, Mickey Keating
has the ability to make movies of good quality at an increased speed
than most. So far all of his films are quite different from one
another with the exception that all of them seem to be an homage to a
certain type of film from the past. “Darling” is his riff on
Roman Polanski's “Repulsion” and whilst I initially had major
reservations about the film (due to being a massive fan of the
Polanski original), I ended up loving every minute (almost) of it.
I'm a sucker for films that deal with a mind fracturing and this is
essentially what happens here. Lauren Ashley Carter gives a totally
depraved performance as the titular Darling, a girl who, when we meet
her even at the beginning of the film, is clearly not all there and
dealing with some issues. House sitting in a residence where a
suicide has taken place, Darling's mind starts to take over but it
isn't until she actually leaves the house and bumps into someone from
her past that her mind truly shatters in earnest, and sends her on
the path for murderous redemption. Carter is brilliant at depicting
a character who is always physically present in a scene, and yet you
can feel behind those eyes she is just not there. To visually
portray Darling's deteriorating mindset, Keating uses a number of
techniques to shake up the audience including extreme rapid montages,
bizarre camera angles and even strobe effects (which I am never
really a fan of). The black and white photography used in “Darling”
is exquisite and gives the film an older, classier feel to the film,
as well as being an obvious nod to “Repulsion”. Whilst I found
some of the musical choices in the film a little on the nose, the
rest of the film I absolutely adored.......with the exception of the
final thirty seconds which without giving anything away, removes some
of the films ambiguity and in particular makes the film less about
Darling having a mental breakdown and more about something else
entirely. Click here to read my original review.
6. LA LA LAND
What can I say about
this film that hasn't been already said? Going on just a month since
being released and “La La Land” is as universally loved as can be
in these non-musical times. It is currently the favourite to take
home the “Best Picture” Oscar, and earlier this week took home a
record seven awards at the Golden Globes. The success is well
deserved because this is a phenomenally fun and inventive film
celebrating music, love and happiness. Anchored by the two most
charming of leads, in Emma Stone and Ryan Gosling, the whole film
explodes with energy and colour from its opening frame and doesn't
let up until its brilliant “five years later” finale. Its no
secret that the golden age of musicals, at least in cinema, are long
gone but every now and then we get something special like “La La
Land” to remind us why they are so great. My favourite moment in
the film is the night time dance Gosling and Stone share together on
a road, as the first flicker of love between the two of them is
ignited. These two have the most wonderful chemistry and even when
the two of them are not together in a scene, you can not help but be
charmed by these hugely likeable stars. What I also loved about “La
La Land” is that director, Damien Chazelle, made it to be enjoyed
on the big screen by shooting the film in “Cinemascope” in the
very wide 2.55 : 1 ratio and also on actual film to give the amazing
colours of the film that bold Technicolor feel. This is old school
filmmaking celebrating the wonder of happiness; its big, its
beautiful, its funny, it may be a little long, but it is also worth
sitting back and just letting the fun wash over you.
5. ELLE
Paul Verhoeven's latest
film is about power and control and it is the kind of story that only
Verhoeven could've tackled and got away with so brilliantly. The
film opens with a vicious rape of our main character, Michele. After
the assault has finished, instead of being a hysterical mess, Michele
essentially just picks herself up and goes about the rest of her day.
This is a woman with a lot of strength and power as she is the CEO
of a computer games company which she runs with an iron fist. She is
hard and expects results, and thus can rub people the wrong way.
Being the control freak that she is, Michele finds it very hard when
she loses some of this control via her rape and goes about finding
her rapist to turn the scales of power on their head, even if it
means exploring the dark side of her own sexuality. For a film that
begins with a rape, and from a director as masculine as Paul
Verhoeven, you could assume that “Elle” may be a film filled with
misogyny and you would be wrong. In fact the complete opposite is
true as this is a film about female empowerment and of a woman
reversing the ownership of perceived power. Being a Verhoeven film,
“Elle” also has with it a level of black comedy sprinkled
throughout the film, that is both very funny and shocking that the
director was able to get away with it. This is a film that just
could not have been made in Hollywood, as the whole thing is as un-PC
as it gets. Whilst I am not blind to her immense talent, I have
never been a massive Isabelle Huppert fan; she is always an actress
that comes off very cold to me. Her performance in “Elle” though
is simply masterful and easily my favourite of hers from her very
long career. Her coldness works to her character's advantage, and
yet because of this, I actually found some warmth in her playing
Michele (if that makes any sense at all). This is a woman of 63 and
yet comes across looking like someone no older than her mid forties.
She is truly stunning in the role and thoroughly deserved her recent
Golden Globe win for her performance. I am a massive Paul Verhoeven
fan, and it is sad that it took ten years between this and his
previous feature (and my personal favourite of his, “Black Book”)
but the wait was definitely worth it. I am super impressed that he
was able to go to France and shoot in French too, but I also can not
think of another director aged in his seventies who still makes films
with such bite and can get away with it too.
4. FEBRUARY
As of this writing,
“February” (re-titled “The Blackcoat's Daughter” in the US)
still has not received a commercial release in the United States and
it is something I just can not get my head around because this film
is totally brilliant. It is a film that I cannot get enough of and
have already watched three times thanks to my French blu ray of the
film. This is Osgood Perkins directorial debut and it is the story
of three girls, all who are connected to a horrific event that takes
place at their all-girls school during the holidays whilst they are
stuck there by themselves (with minimal adult supervision). To go
too much into plot details would be unfair, but “February” is a
stunning achievement from a first time director as he shows just he
masterful he is at creating and sustaining a horrific and creepy
atmosphere right from the opening frame. This is a slow moving
horror film, but its pace works wonderfully at exploiting the
creepiness on display. I must say that my own interpretation of the
events in this film seem to differ from the general consensus as to
what exactly happens, as most people believe that Satan or a demon
plays a significant part in “February” whereas my own take is
that this is another case of mental breakdown. I have no doubt that
the person suffering the breakdown believes the devil to be real, but
I do not think this is reality. I'm also surprised when people claim
the existence of the devil in “February” to be a certainty
because I believe Perkins has left this ambiguous and deliberately
so. Either interpretation does not alter the fact that “February”
is brilliant and chilling. This is the third (and final) film on
this list shot by Julie Kirkwood, and it is much more pared back than
the previous two films. She creates a sense of isolation and uses
the snow covered landscapes to perfection. I love this film with an
absolute passion and will forever champion it. Whilst it may be my
fourth favourite film of 2016 overall, “February” was my
favourite horror film of the year, and by a long way too.
3. PATERSON
Before I write these
lists, there is the process of going through all the films you have
watched in a single year and then whittling them down slowly until
you get to the final twenty. Then you basically put them against one
another to work out the final order in which they stand. I must
admit that I was stunned when “Paterson” took the number three
place because until then I hadn't realised just how much I loved this
film back when I saw it at MIFF. “Paterson” is the latest film
from US indie veteran Jim Jarmusch and it is another stellar piece of
work. The more I watch of his films, the more I realise just how
much his cinematic voice talks to me. “Paterson” is actually
about the beauty and poetry of everyday life, of the mundane, and of
repetition. The film is set in Paterson, New Jersey and we follow a
week in the life of a bus driver, whose name also happens to be
Paterson, and who also moonlights as an amateur poet in every spare
moment he finds. His poems are about the simple things in life such
as a box of matches and he carries around his notebook full of these
poems wherever he goes. Each day is essentially the same with him
waking up (without an alarm), heading to work, coming home and eating
with his girlfriend, before he takes the dog for a walk and stops for
a quiet beer and conversation at the corner pub. Each day he meets
different people and this is where the variations take place and
while it sounds like it could be very boring, it is actually
mesmerising. Myself, I am a person of routine and repetition and get
very anxious when my routines are disrupted so I guess I was able to
connect to the character of Paterson on a personal level. But then
it is very easy to do so, as he is a beautiful man with not a bad
bone in his body. He is respectful of everyone he meets, he is
caring, and he has time for anyone looking for a chat. The
performance from Adam Driver, like his character, is beautiful. It
is a quietly restrained performance and very still. It is all about
the little movements as opposed to big loud gestures. I must admit I
was not impressed by his performance in the recent Star Wars film,
but seeing him in “Paterson” was like witnessing a completely
different actor. He just gets the humanity of Paterson. I was also
very impressed by Jarmusch's casting of Iranian actress Golshifteh
Farahani in the role of Paterson's hilarious girlfriend, Laura, who
has unending energy and spends all her time redesigning the couples
apartment in black and white designs, while at the same time coming
up with new taste sensations for dinner (which Paterson's reactions
to are hilarious). I also got a kick out of seeing Masatoshi Nagase
playing a Japanese poet at the end of the film, as it is the first
time he and Jarmusch have worked together since “Mystery Train”.
There is so much more I would love to say about this film and I
regret now that I didn't write a full review of it back in August
when I saw it, but I think I will stop here and just recommend
“Paterson” wholeheartedly. Jim Jarmusch is a genius.
2. JULIETA
Pedro Almodovar's
“Julieta” was my most anticipated film of 2016, and thankfully it
did not disappoint. As I just mentioned above, some filmmakers just
talk to you more than others, and Almodovar is one whose wavelength I
am on almost 100%. Right from the opening frame of this film when
the screen is bathed in bright, bold red, I knew I was in the hands
of a master filmmaker and was just able to sit back and let the story
he was about to tell wash over me. The story he does tell was a lot
more low key than is usual for Almodovar, but that did not make it
any less brilliant. We follow thirty years in the life of a woman
named Julieta from the eighties when she was a young beautiful
teacher, full of love and a vitality for life, up to the woman she is
today; struggling from bouts of depression estranged from her adult
daughter, and ready to leave Spain to move to Portugal with her new
love. Just before she leaves though, Julieta runs into one of her
daughter's friends which then forces her to look back on her life and
see how she became the person she is now. The original title of the
film was “Silencio” and it was a great shame to lose this title
(which Almodovar gave up so as to not to cause any confusion between
his and Scorsese's latest film), as this is the main theme of the
film. How staying silent can cause unrepairable grief to the exact
person you think you are helping by keeping quiet to. It is such a
painful little story, as poor Julieta goes through a lot of heartache
in her life, but there is also a lot of laughs and happiness too, in
case you are thinking the film could be a bit depressing. This is
another great achievement from Spain's greatest living director; a
man who seems incapable of making a bad film. Click here to read my original review.
1. NOCTURNAL ANIMALS
My favourite film of
2016 is none other than Tom Ford's “Nocturnal Animals”. This is
a complex and very adult thriller that works on many different
layers. Whilst it can be seen as a revenge film, it is also an
allegory about the pain and hurt one can feel over a break-up when
they end in a bad fashion. The film is about an owner of an art
gallery named Susan who receives a copy of a manuscript that her
ex-husband, Tony, is about to have published. It is a violent and
sad tale about a man who goes out for revenge when his wife and
daughter are abducted, raped and murdered. The fact that Tony
dedicated the book to Susan sends chills down her spine, because
theirs was a relationship that did not end in a good way and she is
unsure if this is a clue that she could be in danger. “Nocturnal
Animals” is an exhausting movie to watch because there is just so
much going on in it, from what is happening on the screen to the
subtext behind it all. It really is an amazing piece of work but it
is not an easy one. This is not the kind of film you throw on in the
background on a lazy Sunday afternoon, this is one you need to focus
on and pay attention to to get the most out of it. I really do not
want to say much more than that about the story to be honest as it is
an exhilarating film to watch unfold. Technically the film is almost
perfect with Seamus McGarvey's stunningly beautiful cinematography
(another movie on this list shot on film) being the stand out. For
such a dark film tonally, it is filled with lovely bright colours,
and with Tom Ford's keen eye for visuals, nary an image goes past
that isn't frame worthy. The film also has some of the best
performances of the year with Amy Adams, and Jake Gyllenhaal being
their regular impressive selves, but whilst it appears that Aaron
Taylor-Johnson's performance is getting all the plaudits (it is after
all the flashiest role in the film), my favourite was Michael
Shannon's cop with a conscious who is willing to help Gyllenhaal's
character out with his revenge because he knows the courts will let
him down. It is a subtle role but extremely powerful and whenever he
is onscreen, you cannot take your eyes off of him. Like a lot of the
films on this list, I really do not want to talk too much about them
in case I ruin anything, but suffice to say this is a fantastic film,
my favourite of the year, but it is not for everyone. It goes to
incredibly dark places story wise and in its tone, and there are
scenes that are quite gruesome to watch, but for mine this was the
best piece of cinema I saw in 2016.
Well
there you have it, that was my round-up of the year that
was 2016; hopefully you got some enjoyment out of it. Just want to make a quick note that when this list was written I had been unable to see both "Arrival" and "Rouge One: A Star Wars Story". There is no guarantee either would make this list but thought it was worth nothing. Now before I
finish, lets have a brief look at the upcoming year and my most
anticipated films of 2017.
Seriously, shut up and take my money!!!
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