After
surviving a horrific home invasion around a decade previous, that saw
her intruders killed brutally in self defence by her protective mum,
Beth has moved on with life and found herself to be a successful
horror novelist. Delving into darkness and the macabre, she has
become the literary world's next big thing, to the point that her
popularity is starting to rival her hero, H.P. Lovecraft. For her
latest book entitled “Incident in a Ghost Land”, Beth has
returned to that fateful night that changed her family's life
forever. Detailing what happened, albeit in a fictional world and
characters she created for the book, the story is still no doubt very
autobiographical, and her fans love it, claiming it to be her best
yet. However, not all of her family recovered from that night as
well as Beth, with Vera, Beth's older sister, still being plagued by
nightmares and anxiety attacks on a daily basis, to the point that
she never leaves the house, and that her mother must watch over her
constantly to make sure that she does not harm herself. Essentially,
Vera and her mother have been trapped in their lives (and the house)
since the attack. One night Beth receives a panicked late night
phone call from Vera begging her to return, and when Beth cannot
reach her mother, she begins to think something is very wrong.
Worried, Beth immediately packs her bags and heads home, however will
returning to the scene of the brutal crime that has defined her,
unravel her picture perfect life?
This
is the latest film from French filmmaker Pascal Laugier, who is most
widely known for his brutal 2008 horror film “Martyrs”, and after
seeing the trailers for this new film, it was one that I was very
highly anticipating. Right off the bat, from a visual standpoint,
you can tell that Laugier has been inspired by both Tobe Hooper and
Rob Zombie and is definitely playing in these director's wheelhouses
when it comes to the intensity of horror that is found in “Incident
in a Ghost Land”. The whole thing has a “House of 1000 Corpses”
vibe to it all, thanks to the house itself that is filled with lots
of old trinkets and creepy dolls, but also to the disturbing tone of
both, the film itself and of the actions of its villains.
The
film opens with a cracking sequence that is absolutely brutal, and
again so intense. As Beth, Vera and their mother, Pauline, are
viciously attacked by a pair of demented killers. The action in
these scenes are terrifying and so incredibly violent as characters
are slammed into walls, thrown down stairs and regularly stabbed.
You can feel that this is a fight for survival and anyone that
doesn't get it, will be the one that loses their life. These aren't
cool horror movie death scenes, these are a “do anything and use
anything you can to survive” scenes, and as such it is dirty,
messy, bloody, and very quick. It also has the greatest moment when
Pauline, who appeared knocked out earlier, proves herself to be the
embodiment of all mothers doing whatever it takes to save her
daughter's lives, even if it means battling against two men, double
her size.
It
is then something of a shock when we are suddenly thrust forward ten
years in time, and we also feel somewhat cheated as Beth awakens from
a nightmare. Had everything we just witnessed really happened? It
is quickly established that yes, it had all happened, and that Beth
herself hadn't escaped from that night entirely unscathed as she
occasionally has nightmares reliving it all. While I do not want to
sound harsh, but it is something of a letdown to find ourselves in
such a bright and happy place, after the intensity and sheer
brutality of the film's opening. In fact, it is from this moment
that Laugier's film starts to have some (minor) issues. The biggest
issue I had with “Incident in a Ghost Land” is in the way the
story itself was structured. I felt that it undercut the drama of
the film, and in some ways came across more as a clever gimmick as
opposed to good storytelling. In a way, I guess I am saying that the
film thinks it is cleverer than it actually is. In fact, when you
strip away all of the film's facade and style, the underlying story
is really rather simple. While some of my criticism may sound vague
in its description, please understand that I am trying to keep the
mystery of the film unscathed for first time viewers, whilst still
trying to point out its flaws.
The
other flaw with the film was in its non-descript villains. These two
weirdos had, in my opinion, the chance to become iconic horror
villains if more time was spent on defining them better. As it is,
they are nothing more than ciphers in their current incarnations, not
real characters but something to keep the plot moving. This is a
shame too because obviously a lot of time went into designing their
bizarre visages, that they were just screaming out for something more
to make them stand out. Maybe that is a little unfair because their
odd and rather disgusting behaviours can be seen as definite
character traits, but I just felt it was a missed opportunity to do
something more and create new horror icons.
These
minor issues shouldn't dissuade anyone from seeing “Incident in a
Ghost Land” as there is plenty of good in the film for horror fans.
As I have alluded to earlier, the production design of the house is
both brilliant and oppressive. Together with Danny Nowak's very dark
cinematography, they have created a location that is intensely creepy
and that drips in nightmare fuel. While it seems to becoming more
and more of a cliché in horror, I still think that doll imagery is
something that makes viewers hair stand on end, (when done well), but
then when human characters are also made up to look like dolls
themselves, well that takes the horror to another level.
Intense
bleak horror is something that I am a fan of, and this is another
aspect of the film that works very well in this film. You feel the
danger of every moment, and the pain of all the violence inflicted.
It is a brutal film, both from a physical and mental point of view.
This is not fun horror; it is disturbing, bloody and yes (here is
that word again), very intense! While “Incident in a Ghost Land”
isn't necessarily something you would consider an actor's piece, all
involved do good work at showcasing heightened emotions during the
horrific encounter, and they are equally as good at showing how this
encounter has affected each of them, following their survival. It is
an interesting look at grief and how certain people can end up being
ruled by their tragedy whilst others can use it as inspiration to
create and thus escape that pain by dealing with it through art.
I
cannot finish this review without at least mentioning the real life
horror that happened on the set of this film to actress Taylor
Hickson, who plays Vera, and whose face suffered horrific lacerations
when a glass door she was being violently pushed against in a scene
shattered. The accident left her scarred both physically, (she has a
massive scar down the left side of her face, from her cheek to her
chin) and mentally, to the point that she couldn't bring herself to
attend the film's premiere. Hickson has rightly sued the producers
for negligence, as no actor should ever have to go through something
like she has for a piece of entertainment.
Overall,
while I had some misgivings with the film's structure, for the most
part I was entertained by Pascal Laugier's brutal horror film,
“Incident in a Ghost Land”. While it is not as clever as it
thinks it is, nor is it free from a few clunky moments (a scene
involving H.P. Lovecraft, and a poorly staged one involving cops at
the end, come to mind), the film's extreme intensity is its saving
grace. While it didn't become the classic I was hoping for, I still
think most horror fans would get something out of “Incident in a
Ghost Land”.
3
Stars.
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